![]() In 1932 Brennan was in Law and Order (1932) with Walter Huston, The Impatient Maiden (1932) for James Whale, The Airmail Mystery (1932, a serial), and Scandal for Sale (1932). His parts tended to remain small, however: A House Divided (1931) for director William Wyler, Scratch-As-Catch-Can (1931, a Bobby Clark short directed by Mark Sandrich), and Texas Cyclone (1931, a Tim McCoy Western featuring a young John Wayne). The following year Brennan had more small roles in Hello Russia (1931, a short with Slim Summerville), Many a Slip (1931) with Summerville, Heroes of the Flames (1931) a serial with Tim McCoy, Honeymoon Lane (1931), Dancing Dynamite (1931), Grief Street (1931) directed by Richard Thorpe, and Is There Justice? (1931).īrennan had a bigger role in Neck and Neck (1931), directed by Richard Thorpe. Other Brennan appearances included Dames Ahoy! (1930), Captain of the Guard (1930), King of Jazz (1930) (Brennan said he played nine parts but when he saw the film "I sneezed and I missed myself"), The Little Accident (1930), Parlez Vous (1930), (a short), See America Thirst (1930) with Harry Langdon and Slim Summerville and Ooh La-La (1930), (another short). īrennan was in His Lucky Day (1929), Frank Capra's Flight (1929), One Hysterical Night (1929) (a bigger role), The Last Performance (1929), The Long Long Trail (1929) with Gibson and The Shannons of Broadway (1929). The latter was directed by Richard Thorpe who would use Brennan as an extra several times on films.īrennan had minor roles in The Racket (1928) from Howard Hughes, The Michigan Kid (1928), Silks and Saddles (1929), The Cohens and the Kellys in Atlantic City (1929), and Smilin' Guns (1929) and The Lariat Kid (1929) with Gibson. Brennan was also in Watch Your Wife (1926), The Ice Flood (1926), Spangles (1926), The Collegians (1926, a short), Flashing Oars (1926, a short), Sensation Seekers (1927), Tearin' Into Trouble (1927), The Ridin' Rowdy (1927), Alias the Deacon (1927), Blake of Scotland Yard (1927) (a serial), Hot Heels (1927), Painting the Town (1928), and The Ballyhoo Buster (1928). His early appearances included Webs of Steel (1925), Lorraine of the Lions (1925), and The Calgary Stampede (1925), a Hoot Gibson Western. He wound up working at Universal off and on for the next ten years. Career Early work įinding himself penniless, Brennan began taking parts as an extra in films at Universal Studios in 1925, starting at $7.50 a day. During the early 1920s, he made a fortune in the real estate market, but lost most of his money during the 1925 real estate slump. ![]() "While there, he suffered an injury to his vocal cords from exposure to mustard gas that left him with his screen trademark: a distinctively reedy, high-pitched voice that became a favorite for celebrity impersonators for decades." Īfter the war, he worked as a financial reporter for a newspaper in Boston. ![]() Army and served as a private with the 101st Field Artillery Regiment in France during World War I. While working as a bank clerk, he enlisted in the U.S. His father was an engineer and inventor, and young Brennan also studied engineering at Rindge Technical High School in Cambridge, Massachusetts. Other noteworthy performances were in To Have and Have Not (1944), My Darling Clementine (1946), Red River (1948), and Rio Bravo (1959).īrennan was born in Lynn, Massachusetts, less than two miles from his family's home in Swampscott, Massachusetts. Brennan was also nominated for his performance in Sergeant York (1941). He won the Academy Award for Best Supporting Actor for his performances in Come and Get It (1936), Kentucky (1938), and The Westerner (1940), making him one of only three male actors to win three Academy Awards, and the only male or female actor to win three awards in the supporting actor category. Walter Andrew Brennan (July 25, 1894 – September 21, 1974) was an American actor and singer.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |